急...需要高手翻譯英文文章但不要用網路翻譯的給我...

房東：無雙

發表時間：2021-04-20

因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.


無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.
無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.
無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.
無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.	無雙急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics.
急...需要高手翻譯英文文章但不要用網路翻譯的給我... 因為我對英文真的很不行..所以需要各路好手能幫幫忙拜託拉...旦請不要用網路翻譯給我..謝謝Museums were regarded as possible shelters for the protection of movable objects; this had also been indicated in a decree of 1793.The palace of the louver had already been opened as a museum since 1775.In 1791, some former atelier space was reserved for the display of works of art.The following tear, the state collections were arranged there, and in 1793, the collections of louis XVI were added (after the king had been beheaded).While a substantial part of the art works of suppressed monasteries were destroyed, the remaining objects were either sold or brought into state deposits.The convent of the petits-augustins WAS CHOSEN AS ONE OF THESE deposits, and in 1791 ALEXANDER Lenoir (1762-1839) was nominated its curator.He was first involved in the inventory of these objects; he then arranged the statues chronologically in rooms of the thirteenth, fourteenth and fifteenth centuries.There was also an introductory room with an overview of the history of sculpture in france from antiquity to recent times.in 1795, the collection was opened to the public as the muse of the monuments French.At first, the collection contained objects from paris and its surroundings, but later from other parts of france as well.There were, for example, several royal monuments from saint-denis. Lenoir arrived too late, however, to acquire sculptures from cluny.Objects were selected and often brought to the museum for restoration.The arrangement, although systematic, was based on a limited knowledge of mediaeval art.Often, pieces of different origin were put together to make one monument.This was the case with the funeral monument of Heloise and Abelard, which was placed in the attached garden of the elysee.the garden, in fact, became part of the museum, and contained dozens of tombs of famous personalities such as moliere, la fontaine, and montfaucon.The museum and its garden became popular during the republic and the empire....已更新項目:Many artists, among them david, ingress and Hubert Robert, came to study there.The catalogue of the collection was printed eleven times (once even in english).However,there were also critics. 你的瀏覽器竟然不支援 iframe ?!